The movie, not the TV-show. It was a smash hit in theatres when I was a teenager and we all went to see it, even when we didn't have the right age (it had an '18 rating'). Today, half a century later, it's still an entertaining movie, but it's hard to understand why an entire generation went raving mad about it.
MASH is set
during the Korean war (1950-1953), but the subtext is the war in Vietnam. The raunchy
jokes, the haircuts and moustaches are all Sixties, not Fifties. Donald
Sutherland and Elliot Gould are Hawkeye and Trapper John, surgeons in a Mobile
Army Surgical Hospital (hence the title). They are not passionate about the war, but dedicated to
saving people's lives. They reject protocol and view those who respect it with
cold contempt. Sutherland and Gould look and behave like hippies and the growing
protests against the Vietnam War must have helped the movie a lot: it was
interpreted as a protest to America's military operations in the Far East. Mash
was anti-establishment, Mash was counterculture, Mash was ahead of its time. At least we thought it was all these things.
The movie is
a collection of vignettes, with hardly any coherent narrative. Director Robert
Altman realized his episodic
movie needed more structure and therefore added a series of speaker
announcements to connect the different episodes. Those announcements are
occasionally funny, but don't really solve the problem: the whole thing still
feels rather disjointed.
As said, Mash
is still enjoyable, the episodic action has a nice flow and the actors are very
good. Sutherland and Gould underplay their roles, which suits the material very
well, and Sally Kellerman is a delight as Major Margaret 'Hotlips' Houlihan, the
straitlaced, yet lascivious nurse who is the obvious target of many of the
boys' practical jokes. But there's this feeling that it belongs to another era. Above all, it's not as funny as it used to be. Mash was an
immensely popular movie and the raunchy jokes - like Hotlip's infamous shower
scene - seem to have influenced directors of sex comedies, a popular subgenres
from the first half of the Seventies. What used to be daring and outrageously funny
may now give you the idea that you're watching one the entries in the long
running Porky's series.
⭐⭐⭐½
1970 - Dir: Robert Altman - Cast: Donald Sutherland (Hawkeye), Elliot Gould (Trapper John), Sally Kellerman (Hotlips), Tom Skerritt (Duke), Robert Duvall (Major Burns), Roger Bowen (Lt.-Col. Blake), Jo Ann Pflug (Dish), Gary Burghoff (Radar)
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