Gattaca
(1997, Andrew Niccol)
Gattaca is set in a future in which genetic
engineering has become the norm: the perfect babies with their meticulously
selected characteristics are called Valids, those still conceived in the normal
way In-valids. The In-valids are of course considered second-class citizens:
what's supposed to be a Utopia, is in fact a Dystopia.
The film tells the story of an In-valid called
Vincent (Ethan Hawke) whose lifelong dream it is to make a space trip to Saturn, an enterprise not open to In-valids. With the help of a DNA broker, he gets
the chance to fulfill his dreams by adopting the identity of a Valid called Jerome (Jude Law), a former swimming champion who was
paralyzed in a car accident. Jerome gives him samples of his blood and urine to pass the admission tests and Vincent has a leg operation to become four inches taller and look more like a former sports crack ...
Gattaca was
praised for its introspective nature: for once a SF movie did not rely on
special effects and odd techno-gadgets, but rather on the moral ambiguities of
genetic engineering and questions about identity in a world where
people have no control over their own lives unless they break the law. It was
called 'thought-provoking' and 'scientifically provocative' and it's often said
that the film vitalized the discussions on the controversial topic of genetic
engineering. Note however that most issues the script raises, are
only hinted at, and never really examined in detail. Instead the whole thing is
played out more or less like a paranoia thriller: Vincent/Jerome becomes the main suspect in a
murder case and we ask ourselves if the police - or the colleague he's flirting
with (Uma Thurman) - will find out who he is.
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