D'Ardennnen
(The Ardennes - 2015, Robin Pront)
A Belgian
thriller-drama that owes as much to the Dardenne Brothers as to the Coen
Brothers. If this sounds weird, it should.
Four years
ago a home-jacking performed by three drug-addicts - two brothers, Kenny and
David, and Kenny's girlfriend Sylvie - went fatally wrong: Kenny, the youngest and
most unstable of the two brothers - was arrested, the two others got away. Kenny
took the fall for what happened and spent four years behind bars. When he's
released from jail, he assumes that he can have a fresh new start, as if things haven't changed at all. In
reality Dave and
Sylvie are now both clean and they have also become a couple ... and Sylvie is expecting
their love child ...
Kevin
Janssens is perfectly believable as the thuggish
Kenny and Jeroen Perceval (who co-wrote the script) and Veerle Baetens are
nearly as good as the love birds who are very reluctant (for all the good
reasons) to inform Kenny about the situation. On script level, there are a few issues. The first half of the movie - the Dardenne part, so to speak - is a
psychological drama in which not too much happens and most fears and worries remain
unspoken. The script takes a radical turn when Kenny confronts his brother with
a dead body in the trunk of his car and asks his help to get rid of the corpse.
We move to the Ardennes, where the boys have spent many lucky days when they
were young. Kenny's former inmate seems willing to give them some assistance,
but in the Ardennnes danger is lurking around every corner, around every tree
...
The first half of the movie may be slow-paced and a bit
ponderous, but tension is always in the air and the behavior of the three
characters seems logical in the light of what happened in the past. The suburbs
of Antwerp are shown as dreary places dominated by grey multi-storey buildings
and a permanent drizzle. The second
half of the movie is more vivid and eventful, but the shift in tone from drama to nasty thriller is too abrupt. The
Coen Brothers' movies (in particular Fargo) were obviously a major source of
inspiration, but Pront (who has a brisk, energetic directional style) seems to
lack their wit and famous sarcastic touches. As a result an interlude involving
ostriches - of all animals - falls flat. The script also becomes a bit
haphazard, with too many weird characters and plot twists, but the final twist
(which will take most viewers by complete surprise) seems to make it all click,
or at least nearly so.
D'Ardennen
is not as bizarre as Calvaire (2004, Fabrice Du Welz), nor is it quite as dark
and disturbing as the more recent De Verhandeling (The Treatment - 2014, Hans
Herbots), but it's still quite bleak and grim and it will no doubt be too
downbeat and nihilistic to some people's taste: The characters are low-lives,
they act foolishly and there's no excuse for their behavior, they are not
redeemed. It's far from perfect, but I would like to recommend it in spite of
its obvious flaws.
⭐⭐⭐
Dir: Robin Pront - Kevin Janssens (Kenny), Veerle Baetens (Sylvie), Jeroen Perceval (Dave), Jan Bijvoet (Stef), Sam Louwyck (Joyce), Viviane DeMuynck (Mother)
Deze reactie is verwijderd door een blogbeheerder.
BeantwoordenVerwijderen